I’ve been cataloging time images for the past week. La Note fades into Jean Delman fades into The Passenger. For this project, the website tries to slow down time to a slow drip, focusing the mania of my practice into something slower than slow. In allowing the text to overlay, I've tried to make the tick of a clock something actual. Giles Deleuze described the time-image in Cinema II (1985) as

a pure optical-sound image, the whole image without metaphor, brings out the thing in itself, literally, in its excess of horror or beauty, in its radical or unjustifiable character, because it no longer has to be ‘justified’, for better or for worse.